|
At the heart of the Boot Hill Museum's preservation efforts is Mr. Keith Wondra, a dedicated curator whose life's work serves as a testament to the enduring power of history. Meeting him is not like encountering a showman; instead, you meet a historian whose serious demeanor reflects the importance of his mission. His office is a sanctuary filled with tangible artifacts, where the past is organized, studied, and prepared to serve as witnesses to history.
Mr. Wondra’s authority is grounded in his robust academic and professional background. He is a graduate of Wichita State University, where he earned both a bachelor’s and a master’s degree in History. This education has equipped him with the critical skills needed to navigate the complexities of the past. His career has been a steady progression dedicated to public history. Before taking on his current role in Dodge City, he gained valuable experience as an assistant curator at the Old Cowtown Museum in his hometown of Wichita and later served as the curator of collections and exhibits at the Royal Gorge Regional Museum in Canon City, Colorado. This extensive experience has given him a broad perspective on the challenges and responsibilities of interpreting the story of the American West for a contemporary audience. |
|
Observing Mr. Wondra and his work reveals a compelling parallel. His role today is similar to that of the famed lawmen who first brought order to Dodge City. In the 1870s, figures like Wyatt Earp and Bat Masterson were agents of physical order, imposing the rule of law on a town defined by turbulence and violence. They were tasked with taming a wild frontier filled with dusty streets and rough individuals. Today, the story of Dodge City also presents a kind of wild frontier—one cluttered with the exaggerations of dime novels, the romanticism of Hollywood films, and even outright fabrications from popular myth. This intellectual chaos requires a different kind of lawman. Mr. Wondra, armed with his scholarly training and profound respect for evidence, works diligently to separate fact from fiction. His public lectures and carefully curated exhibits serve as his primary tools. While Earp and Masterson wielded guns and city ordinances to establish order, Mr. Wondra uses education and historical context to bring intellectual clarity to the narrative. In this sense, his work continues the original civilizing mission, striving to tame the legend and reveal the more complex and fascinating truths beneath it. This elevates his role as a curator from just a profession to a profound civic duty.
|
|
Furthermore, Mr. Wondra's work connects the local story of Dodge City to the broader narrative of the state and the nation. His position as an At-Large Representative for the Kansas Museums Association underscores his commitment to the larger professional community and its collective mission. He strategically aligns his local programming with major national initiatives, such as the Smithsonian Institution's traveling exhibition, "Voices and Votes: Democracy in America." By doing this, he skillfully frames the history of Dodge City—its struggles for law and order, its political battles, and its evolution into a stable community—as a microcosm of the larger American story of civic development and the ongoing experiment of democracy.
|
|
JOIN US ON FACEBOOK
Contact Website Administrator Mike King [email protected]
|